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Heroines of Sound EDITION#6: YIP/ARIES/FRASCH
This HEROINES OF SOUND EDITION is delving deep into sound and light - exploring the relationship between sonic materiality, media and musical bodies. Expect some mind-blowing performances of innovative contemporary electronic music that connect the re-embodyment of sound with the intimacy between humnas and technological objects.
VIOLA YIP, POETIC SUBJECTIVES (2023 / World Premiere)
ANNIE ARIES, IT´S NOT QUIET IN THE VOID (2023 / German Premiere)
HEATHER FRASCH, TEXTURAL STUDY NO 1. (2023)
https://www.heatherfrasch.net/
Doors: 07:30 pm
First concert: 08:00 pm
No presale / Entrance 10 Eur/ 8€
Accessiblity: As the venue is only accessible via stairs, we would kindly ask you to contact us 3 days in advance. We will be happy to meet you personally at the entrance. -> Contact: buero /at/ ausland.berlin
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Details:
Viola Yip – Poetic Subjectivities (2023)
incorporating pulses of relays, electricity, lights and sounds as vibrations Viola´s DIY
electronic instrument expands music created from the pulse-timbre continuum of acoustic
sounds generated from relays and the electromagnetic relationships. Using buttons, knobs,
relays, and lightbulbs, Viola creative practice explores light as an expanded musical material.
https://www.youtube.com/watch?v=fZmuj9zt7BE
Annie Aries – It’s Not Quiet In The Void (2023 World Permiere)
In the world of modular synthesizers and patch cords, Annie Aries explores, performs and
composes music and opens up sonic spaces between electronica and experimental sounds.
It’s Not Quiet In The Void (2023), she creates minimalistic sound textures and recurring
rhythmic patterns that organically interweave. An amalgam of field recordings and the
synthetic sounds of the modular synthesizer create an acoustic space in constant flux.
https://anniearies.com/project/annie-aries-solo/
Heather Frasch – Textural Study No 1 (2023) for kinetic sound sculptures & real-time
electronic, evolves intricate quivering layers from the irregular motions of the kinetic sound
objects and from the random process of transformation and sound playback in Max/msp.
Influenced by the dis-embodiment of acousmatic music practices, she investigates the re-
embodiment of sound and the intimacy between humans and their technological objects.