No longer uptodate!
After nearly 15 years, this website is being decommissioned. For a while, this old version will still be reachable, but it will no longer show reliable information about events at ausland,
The new version of our website can be found here: https://ausland.berlin
Events
Rafael Toral calls his playing style “post-free jazz electronic music”, once described as “a brand of electronic music far more visceral and emotive than that of his cerebral peers”. Toral’s Space Program delivers music that is full of clarity, articulating silence and sound in a thoughtful, yet physical way.
LURCHLAND
Kreatur und Kreatürlichkeit in Paul Celans Spätwerk.
Vortrag von Magnus Klaue.
In Paul Celans späten Gedichten, spätestens seit dem Band "Fadensonnen", scheint es so
Rafael Toral calls his playing style “post-free jazz electronic music”, once described as “a brand of electronic music far more visceral and emotive than that of his cerebral peers”. Toral’s Space Program delivers music that is full of clarity, articulating silence and sound in a thoughtful, yet physical way.
Rafael Toral calls his playing style “post-free jazz electronic music”, once described as “a brand of electronic music far more visceral and emotive than that of his cerebral peers”. Toral’s Space Program delivers music that is full of clarity, articulating silence and sound in a thoughtful, yet physical way.
Der Berliner Free Jazz-Pianist Louis Rastig lädt ein zum Improvisationstreffen. Seine Gäste sind konstante Größen der Szene: der Posaunist Johannes Bauer (D), der Kontrabassist Clayton Thomas (AUS), der Schlagzeuger
Rafael Toral calls his playing style “post-free jazz electronic music”, once described as “a brand of electronic music far more visceral and emotive than that of his cerebral peers”. Toral’s Space Program delivers music that is full of clarity, articulating silence and sound in a thoughtful, yet physical way.
Collective performance with Space Program Workshop participants, preceded by a solo performance by Rafael Toral
Als Gast der biegungen präsentiert Rafael Toral ein Soloprogramm sowie eine Performance mit Teilnehmern eines viertägigen
Super Seaweed Sex Scandal (NY)
Nonoko Yoshida - sax; Paul Wheeler - guitar; Borey Shin - piano, accordion; Joe Merolla - bass, cello; Justin Veloso - drums
Ein Stromerzeuger aus dissonanten Blä
Sink / Todosch / DJ Panda
Sink: Andrea Ermke -minidiscs & mixing board, Arthur Rother -electric guitar, Chris Abrahams -Dx7 synthesizer, Marcello Busato -drums
Todosch Schlopsnies -banjo, steelguitar, voice
DJ Panda (
Trophies: Alessandro Bosetti - Stimme, electronics, Text/Sound-Komposition, Kenta Nagai - Fretless E-Gitarre, Shamisen, Tony Buck - Schlagzeug
Ezramo: „Come ho imparato a volare (How I’ve learnt to fly)“ – Komposit
Bus Songlines - a composition by Thomas Meadowcroft
Leonid Soybelman & Friends play folk and rock
Einhundertelf Appetithäppchen.
Buchpremiere mit Lesung und Bildpräsentation.
-Eintritt frei-
Ein visueller Entwicklungsroman, ein facettenreiches Gesamtkunstwerk, das den gattungs&uum
110610 : Dominique Vaccaro / Valerio Tricoli
Lucio Capece - Sopransaxophon, Bassklarinette, Dinge, Christian Kesten - Stimme, Dinge
Paul Vogel - Objekte, electronics, David Lacey - Schlagzeug, electronics, Roy Carroll - sampler, loudspeakers
haupstasdtpolka - Eine Luft und Schlagkapelle -
Sojanka für die Ohren
Die Klassifizierung von Kunst ist stets willkürlich. Agnieszka Bulak konzentriert sich in ihrem Vortrag auf die beiden Aspekte „Nachwirkung des Krieges und des Holocausts“ und „Körperlichkeit“. Die getrennte
A man sitting, reels of video tape slowly swallowing him, the space gets filled with random cutups, stutters and glitches from prepared CDs. A Performance by Olivier Heinry (sound, open source software) and Jean-Gérald Dorseuil (dance)
Gangplank addresses the question of networks and interdisciplinary creation processes in contemporary performance-making and the issue of technology as an evolving dramaturgic mean.
Gangplank addresses the question of networks and interdisciplinary creation processes in contemporary performance-making and the issue of technology as an evolving dramaturgic mean.
Gangplank addresses the question of networks and interdisciplinary creation processes in contemporary performance-making and the issue of technology as an evolving dramaturgic mean.
raudio aasland is a radio series by ausland.
the content of raudio aasland ranges from music collections, dj sets, interviews with artists and live concerts to radio plays, social interactions, abnormal features and concept art.
Gangplank addresses the question of networks and interdisciplinary creation processes in contemporary performance-making and the issue of technology as an evolving dramaturgic mean.
Gangplank addresses the question of networks and interdisciplinary creation processes in contemporary performance-making and the issue of technology as an evolving dramaturgic mean.
24h BRÖCKEL - the big BRÖCKEL 24 hours REUNION performance - at ausland and other locations around Berlin - keep yourself up to date on the ausland website, myspace or
24h BRÖCKEL - the big BRÖCKEL 24 hours REUNION performance - at ausland and other locations around Berlin - keep yourself up to date on the ausland website, myspace or
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11. MONTHLYUNTITLEDACTS&UNSTABLESYSTEMS
110610 : Michael Vorfeld / Chris Heenan
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raudio aasland is a radio series by ausland.
the content of raudio aasland ranges from music collections, dj sets, interviews with artists and live concerts to radio plays, social interactions, abnormal features and concept art.
Sommerpause
bis 03. September 2010
Sommerpause
bis 03. September 2010
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bis 03. September 2010
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bis 03. September 2010
