No longer uptodate!
After nearly 15 years, this website is being decommissioned. For a while, this old version will still be reachable, but it will no longer show reliable information about events at ausland,
The new version of our website can be found here: https://ausland.berlin
Events
PRESENCE/s
von Joke Lanz und Thomas John Bacon
doors at: 20:30h / start: 21:00h
Of breath/Of mind/Of spit/Of sight/Of sound/Of healing/Of lucidity/Of hands/Of time
Considering our place in the perceived presence from a series of momentary actions.
amSTARt presents:
EPIPHANY NOW
Loretta (Cat’n’Guyen) - Jana (The Dropout Patrol, Soft Grid)
- Theresa (Golden Diskó Ship) - Benjamin Augustin (visuals)
http://
WALLS & BIRDS
Wavig-melancholischer Dream-Pop. Elegant und schön.
http://
Brutter
Christian Wallumrød - Drum Machine / Keyboard
Frederik Wallumrød - Schlagzeug mit Elektronik
SPILL
Magda Mayas - Klavier
Tony Buck - drums
doors 20:00 / beginn 21:00
The turntablist Pedro Lopes will develop a unique work based on acoustic techniques for experimental music using gramophones: acoustic turntablism.
During these days Ausland will be the place for Pedro's public performances and residency which involves a lot of hand-cranking, broken needles and the constant mechanical noise of gears and clutches that drive those gramophones.
The turntablist Pedro Lopes will develop a unique work based on acoustic techniques for experimental music using gramophones: acoustic turntablism.
During these days Ausland will be the place for Pedro's public performances and residency which involves a lot of hand-cranking, broken needles and the constant mechanical noise of gears and clutches that drive those gramophones.
In the frame of his residency at ausland Pedro Lopes will demonstrate his musical idea of turntable percussion, which he has been developing for the last years.
A turntablism solo that lives in between the realm of freely improvised music, percussion sounds and DIY instruments – an acoustic/analog exploration of sounds that often sounds electronic, a way to re-think the role of the turntable as an instrument vs. music player device.
On December 20th, Pedro will present the direct result of his residency at ausland. Featuring his experiments with a new format: gramophones as musical instruments.
The turntablist Pedro Lopes will develop a unique work based on acoustic techniques for experimental music using gramophones: acoustic turntablism.
During these days Ausland will be the place for Pedro's public performances and residency which involves a lot of hand-cranking, broken needles and the constant mechanical noise of gears and clutches that drive those gramophones.
The turntablist Pedro Lopes will develop a unique work based on acoustic techniques for experimental music using gramophones: acoustic turntablism.
During these days Ausland will be the place for Pedro's public performances and residency which involves a lot of hand-cranking, broken needles and the constant mechanical noise of gears and clutches that drive those gramophones.
The turntablist Pedro Lopes will develop a unique work based on acoustic techniques for experimental music using gramophones: acoustic turntablism.
During these days Ausland will be the place for Pedro's public performances and residency which involves a lot of hand-cranking, broken needles and the constant mechanical noise of gears and clutches that drive those gramophones.
The turntablist Pedro Lopes will develop a unique work based on acoustic techniques for experimental music using gramophones: acoustic turntablism.
During these days Ausland will be the place for Pedro's public performances and residency which involves a lot of hand-cranking, broken needles and the constant mechanical noise of gears and clutches that drive those gramophones.
Following the event on Dec. 16th, in the frame of his residency at ausland, Pedro Lopes will present a second concert, this time with gramophones. A fully acoustic event!
On December 20th, Pedro will present the direct result of his residency at ausland. Featuring his experiments with a new format: gramophones as musical instruments. A strange acoustic instrument, predecessor to the modern turntable, one of the first playback devices and that does not use electricity. The audience will also have a chance to experience some of the methods and play the gramophones used during the residency.
The turntablist Pedro Lopes will develop a unique work based on acoustic techniques for experimental music using gramophones: acoustic turntablism.
During these days Ausland will be the place for Pedro's public performances and residency which involves a lot of hand-cranking, broken needles and the constant mechanical noise of gears and clutches that drive those gramophones.
Diskussion mit Crauss. und Swantje Lichtenstein
Als Gesprächsgast: Ricardo Domeneck
Moderation: Asmus Trautsch
Geöffnet ab 20:00 Uhr, Beginn 20:30 Uhr
The Defaults of Self Endulgence (Maya Weinberg and Lee Meier) engage in The Extended Book Practice in ausland:
doors: 19h
start: 20h
Daichi Yoshikawa Solo
Contact mic, Yamaha MSP3, MSP5, HS7, Mackie mixers, metal objects and small percussions to make acoustic feedback
Hsiao Li-Chi solo
Chaining: electronics and muscle sensors
Duo Lazaridou-Chatzigoga/Dörner
Dimitra Lazaridou-Chatzigoga: zither
Axel Dörner: trumpet
Ectoplasm Girls
- concert -
Nadine & Tanya Byrne
Doors 20:00, Start 21:00.
Doors 20:00, Start 21:00 「星の影」[Hoshi no Kage]
Concert | Performance
Tukico aka Hoshiko Yamane
Hiromi Sunaga
Saori Hala
In Kooperation mit dem Verlagshaus Berlin:
Zwei Lesungen mit Projektionen aus den Büchern
"Mittwacht"
Text: Thomas Podhostnik / Illustrationen: Lilli Gärtner / Visuals: Silvia Bräsel
und
"Runen"
Text: Alexander Graeff / Zeichnungen & Visuals: Andrea Schmidt
Geöffnet ab 20:00 Uhr, Beginn 20:30 Uhr.
A collaboration initiated by Jessica Ekomane with a.mélodie and Silje Nes
"Move nimbly with light rapid steps" is a 4 hour reactive sound installation. A territory of permanent feedback, a state of perpetual tension and saturation.
FILTER is a new series on conceptual sound art by Zona Dynamic. Each edition is a temporary collaboration between 3 artists channeled into a one-night sound scene.
die Reihe. Beiträge zu auditiver Kunst und Kultur
Michael Vorfeld: Glühlampenmusik | Konzert
Im Anschluss: Prof. Dr. Sabine Sanio (Masterstudiengang Sound Studies, UdK Berlin Career College) im Gespräch mit dem Künstler.
Geöffnet ab 19:30 Uhr, Beginn 20:00 Uhr | Eintritf frei
Ambrosia(@)
James Birchall (guitar/electronics)
Sarah Faraday (synths/vocals/amplified objects)
Voyou
Sarah Faraday (Banjo, bass guitar, electronics)
Rough Fields
James Birchall (Field recordings, processing)
Amine Mesnaoui – piano
LovensBauerRastigIllvibe
Paul Lovens – drums, percussion; Johannes Bauer – trombone; Louis Rastig – piano; DJ Illvibe – turntables